To help prepare you for the real world, our Ask the Pros series
is here to help answer some of your most common questions about
interviewing, job-hunting and working in the world of publication and
media art and photo departments.
And if you're a working professional
yourself, we'd love to hear your opinion too ... don't hesitate to add
it in our comments or email us to be on one of our panels.
Today,
our current panel of photo editor pros give you some insight into how
to get that job or internship .... even if you're not interested in
being a photo editor, their awesome advice should be heeded!
QUESTION:
I
just discovered the photo editor job as an option for my career, and it
sounds cool! As a college student with no real-world experience, what
can I do to help make myself a good internship or entry-level job
candidate?
PRO: Michael Norseng - Director of Photography, Esquire
First,
have something on your resume that displays your passion for
photography as it relates to publishing. Whether that is an internship
at a magazine, a staff position at a campus newspaper, or the photo
editor of a website.
Two, realize and accept that starting
out you aren't going to know a lot of answers and thus are going to
have to work hard and possibly a lot of hours to educate yourself of
photographers.
Last, walking in the door, it is good to
have some base familiarity with photo archives and agencies. Research is
a key component to any starting photo department job.
PRO: Yvonne Stender - Photo Director, Sunset Magazine
Internships
are a great way to break into this business. But don't just look for
editorial work ... interning with photographers, stock photo agencies,
photo reps, modeling agencies are all relevant to the position.
A background in the history of photography along with a strong
interest in your local fine art scene is helpful as well. The more
well-rounded you are, the more job opportunities there are for you.
Don't discount past clerical or administrative work either. This, in
fact, makes you an even stronger candidate if your organizational skills
are good. Often, these tasks are a large part of your job starting out.
PRO: Michele Ervin - Senior Associate Photo Editor, Popular Mechanics
Get
an internship. Find time while you are in college or right after to
dedicate 3 days a week to working as an intern. While applying to
internships, keep in mind that you need to be available to work enough
hours in the week to make it worth their time and for you to learn what
you should from the internship. Use your summers for internships if your
class schedule doesn't allow you to devote enough time during the
semester.
PRO: Stephanie Kim - Photo Director, Woman's Day
Internships
are ideal, but can be very difficult to obtain. Having work experience
of any kind, even if it's as a waitress or in retail, shows you work
hard and are responsible. Starting a site/blog of your favorite art
projects from school and/or photographic images that inspire you would
make you stand out. Most importantly, have and show enthusiasm!
PRO: John Toolan - Photo Director, Field & Stream and Outdoor Life
The
best candidate is someone who's well-rounded and shows clear interest
in both photography and magazines. It also helps a lot to have a deep
knowledge or passion for the subject matter that a magazine covers. If
someone applies for an internship at Field & Stream and they
happen to love fishing, I'm going to lean toward that candidate. If you
know a lot about pop culture, you're a good candidate for Entertainment Weekly.
If you've worked at a school newspaper or magazine, that helps a ton. It shows you're serious about this.
Most importantly, if you score an interview at a magazine, make sure
you've read recent issues of it, just so you look informed. There's no
bigger turn-off than someone who just wants a job and doesn't care where
it comes from.
PRO: Whitney Tressel - Associate Photo Editor, Budget Travel
Interning
in the industry, during college or shortly after graduating, is
invaluable. You learn so much day-to-day that you could never experience
in a classroom, diploma or not. Also, the people you will meet will put
you at an advantage from your peers and will be helpful throughout your
whole career.
Once hired: Be above nothing. It's very
important at an entry-level position to show your unmatchable work
ethic. Because the position, by nature, is not a decision-making or
highly creative one, it's best to perfect your strengths of anticipating
needs, working hard, and being enthusiastically game for anything that
comes your way. Arrive before your boss, and always leave after them.
PRO: Leslie dela Vega - Director of Photography, Fast Company
Do
as much research as possible on different photographers that are out
there. Start with buying a bunch of mags you're interested in, with the
kind of photography you'd like to get more into. Go to their sites,
dissect images, study them. Ask yourself, why do you like them? What
don't you....etc. Be knowledgeable of different kinds of photographers:
studio, environmental portraiture, still lifes, travel, reportage, etc.
Go to gallery openings, exhibits. Fill you head with photo knowledge!
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